Then change the Dither in sB to 16-bit, & create a DDP Master, & a PQ Log sheet, ReOpen soundBlade copy session, drag & drop in the SRC4424 Wav,Ĭheck the alignment, Export individual 24-bit 44.1k Waves, Quit soundBlade, change the WordClock to 44.1 on the ADC and Audio Setup, Then SRC the big contiguous 24-96k file to 24-44.1k with RX MBit+ Dither, Save a Copy of the Playlist with Locked CD Markers, remove the audio. I used to do a very similar Rendering & SRC procedure in soundBlade, ^^^īut it was 24-bit 96k, then Export to One Big contiguous file, diff folder.ġ:34:00 DDP Player from Steinberg… license free tool for approval. import the rX8 SCR version, with all metadata intact. Or use RX8 to downsample the Whole Montage version to 44 without closing WL.ġ:27:50 Customized Montage Duplicate. ID3 Version 2 format metadata.ġ:24:25 then check Scheme “Numeric Prefix” which will give track numbers to the files.ġ:25:40 metadata actually appears in 24-bit WAV files, especially in Big Sur.ġ:26:40 about downsampling to 24 44 with SOX SRC. ġ:21:50 check the “Format” settings before rendering to confirm settings Match Input Stream, Sample Rate, and metadata. Then Render “All Regions” “CD Track” on the left at 24-bit. On Inspector Output Dither to 24 when actually rendering. Render Options drop down select “Copy Markers” for obvious reasons.Īlso Create CD Cue sheet & file that WaveLab needs to keep all the CD Markers, Text & metadata intact. Give it a new name reflecting the Render aspects, i.e. Select “Whole Montage” on left of the AM, and 32-bit (or 64) in the Format menu of the AM Render Tab. Render a full wave of thus entire Montage, to avoid any ticks on xfade transitions.ġ:09:45 RENDER TAB in Montage! and Whole Montage selection & parameters & location folder.ġ:10:00 list of presets in Montage for diff formats. That locks in all the processing accurately. Here I did a more thorough job of mapping out the timeline on the Rending Section of Justin’s #6 WaveLab video:ġ:05:40 “render the montage as one long file first”. Ripple mode 1:44:10 Global mode.Thanx Jerry, that‘s very helpful! Thanks to Justin for providing these videos. So I watched most of Justin’s #6 Video early this morning while sipping coffee, and made note of the timeline numbers of spots that caught my interest! Maybe this can be useful to others who are learning WaveLab Pro 10 (or 11). Revisions are at 1:42:10 Replacing Tracks. adjust levels manually on clip envelope as needed, LUFS meter on top right.ġ:05:50 Render the whole Montage first 1:06:00 ish, at HD, then create all the other versions from the whole montage render.ġ:09:45 RENDER TAB in Montage, and Whole Montage selection & parameters & location folder.Ībout 1:22:20 where JP talks about the metadata in 24-bit montage renders…ġ:33:45 “Assemble it once, then you can render anything you want”.ĭDP Player from Steinberg… license free tool for approval. 16dB LUFS in dialog box, Top of Loudness Range.Ĥ4:00 double check result of metanormalizer. don't use “track” fx.ģ7:00 Clip FX for per song FX, “Output”FX for overall Global FX.ģ8:00 Same limiter & dither for all songs in Output FX section.ģ9:00 Loudness MetaNormalizer procedure .Ĥ0:00 Process Tab in Montage for MetaNormalizer. adding plug-ins to montage, forget the Master section plug-insģ6:00 Inspector Tab top left, 3 places for plug-ins Clip, Track, Output. Offset markers if needed on tight downbeats.Ģ4:30 Toggle through CD Markers w Shift ) or (Ģ5:00 Start Marker at top of CD Track 1, End Marker at end of last CD Track.Ģ9:49 Markers Tab names, No empty spaces after name btw, apostrophe style = straight not curly.ģ1:15 adding ISRC later, ISRC Only unchecked boxesģ2:20 CD-Text for correct titles, CD–Text Editor, ~page up & down ~ No end spaces, restrict to ASCIIģ5:30. Splice Markers 20:00 & Quantize CD MarkersĢ3:00 Markers attach & move with CD Tracks in Ripple mode. JTġ0:50 Stagger accross two tracks montage layout.ġ4:20 Shift-Scroll Wheel to Enlarge Waveform.ġ5:00 CleanUp Editing, Fades Exponential, Spacesġ6:40 Move between Clips Command-Page Up & Down. [/urlSo I watched most of Justin’s #6 Video early this morning while sipping coffee, and made note of the timeline numbers of spots that caught my interest! Maybe this can be useful to others who are learning WaveLab Pro 10 (or 11). Is is possible but unfortunately, I only have examples in my longer videos:
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